TFL’s THE 23 FILIPINO TRACKS OF 2023

Every year, something monumental happens in the music scene, whether it would be an army of alt-kids taking over a mall show, a rapper taking over the country by storm on Tiktok or a DIY venue at the verge of crumbling after two shoegaze bands. Genres have multiplied into bubbles, ecosystems emerge as newer venues from the highways of Cavite to the driveway of a basement at a Chinese restaurant. There’s a steady scene rising, amplifying louder one year after the other: 2023 is a year where those highlights have made made an impact beyond NCR. From Luzon, Visayas to Mindanao, we present to you a yearly tradition that the editorial team would always prepare themselves for; Not just because it’s the task that’s daunting, but it’s the journey and the result of 11 months of scouring the internet and gigs for the best of Filipino music. Here it is, The 23 Filipino Tracks of 2023. 23. P4BL0 – baka magalit mf mo In the “18 Commandments of the Boybestfriend”, there’s unnecessary fluff written along those ridiculous rules. However, P4bl0’s “baka magalit boyfriend mo” has this lasting effect delivered by its cloud-9 like production, ultimately writing one of the best pop hooks in the game now. It hasn’t been written on the scribes nor the tablets that South Metro Manila regular P4Bl0 made a banger track tailor made for the rebounds. Whether it’s the wacky gimmick of BBF/GBFs or the semi-ironic execution, P4bl0 has proven and tested that the undying concept of love and yearning can be done in a dreamy cloud-rap fashion. -Elijah P. 22. O Side Mafia – My Thang It’s been an endless streak of hit singles for O $ide Mafia despite the lackluster collaborations and disputes between territorial beef and fan leaks; “My Thang” is a victorious reaction to all of the success outweighing all of the group’s cons in the game. The simple old-school 2000s G-Funk influenced synths, the satisfying braggadacio three-verse combo and the killer hook is an all-time career highlight for the group and they just stay winning while all the haters watch. -Elijah P. KRNA expand on their infectious sound by expanding their soundscapes to include reverse guitar samples while pairing back on KCs vocal strength. The single shows the band’s mastery of making heartwarming music and a story of yearning that feels like a warm embrace being whispered while in a slumber. -Janlor Encarnacion Armi Millare announced her return to the music scene with a dissonant pop single – taking the time to show her own prowess in music creation with a tune leaning towards more pop and r&b. Roots signals the metamorphosis and re-emergence of OPMs signature voices and we can’t wait for more. -Janlor Encarnacion ‘Sonic Tonic’ is the long-anticipated debut that charges Suyen’s magnetic presence amidst the fray of fringed pop rock, a bottle of riot grrl and grunge blends where Suyen just sounds high-spirited in her craving for that adrenaline rush. Sam Marquez’s production is impeccable in bringing the heatwave atmosphere to ‘Sonic Tonic’, where the already remarkable chugging riffs and splashy drum work are vibrant and immense. Enough to keep everyone cheering along the soaring hook, ‘Sonic Tonic’ is a striking first cut from Suyen who is never afraid to jump first into action, letting her do anything to reach a gratifying emotion that will keep her feel alive. -Louis Pelingen ‘SOUFSIDE’ is a meteoric statement from the Cebu Hip-Hop collective ASIDE BOONDOCKS as they erupted through the scene with their tastes for boom bap and hardcore hip-hop. Flagrant in their hyperbolic expressiveness, that ecstatic flair allows each of their distinct flows to tumble through the stirring hypnotic beat that has a quirk of its own due to its swaggering bass lines and buzzy synth waves. ‘SOUFSIDE’ stamps a mark that will break further ground for the Odd Future-inspired Hardcore Hip-Hop ASIDE BOONDOCKS are leaning towards, where they’ll spark an explosion that you can’t help but feel its heat. -Louis Pelingen With Waiian’s recent return for his sophomore album, ‘SMILE’ is a track that has a familiar thematic trudge from this rapper who has a lot more to observe past his 2020 debut. In this pensive reflection on the mortality and bullshit of life, Waiian invites Yorko and U-Pistol to pen down their emotions on the table amidst a relaxed boom-bap beat and calming piano lines. As a result of that writing session, ‘SMILE’ ended up being Waiian’s best song to date where the melodies are tight and catchy on all quarters from Waiian and Co. No wonder that ‘SMILE’ is one of the lead singles for Waiian’s recent project for a reason, as it’s a respite that brings a gentle smile on constant repeat. -Louis Pelingen 16. PETTE SHABU – Bulbulin Ka Na As PETTE SHABU goes deeper into her experimental rap tapestry with every track she puts out, her transgressive lyricism and ferocious flows become more sharper. That in itself eventually led her to release dozens of challenging sonic bangers in 2023, with ‘Bulbulin Ka Na’ bringing the most sting out of her thus far. Through every whirling wordplay PETTE SHABU spits out, her flow turns impenetrable as PETTE SHABU confidently carries herself within horseboyy’s dense glitchy beat. ‘Bulbulin ka na’ is a bulldozer that keeps PETTE SHABU in control of her agency, lashing down everyone who comes for her without shame. -Louis Pelingen The dizzying hyper-pop artist known as AHJU$$I may have retired from that moniker, but his rebirth as Pikunin has those old bits and pieces intact, now ribboned with UK Garage rhythms and ticklish vocal flair. These characteristics manifest through Pikunin’s debut track, ‘Tadhana’, using Armi Mallare’s cooing vocals as the Jersey club beat tiptoes around it which also serves to be a bouncy springboard for Pikunin’s chirpy vocals and twee lyricism. Starry-eyed in nostalgia with a modern touch, Pikunin spins a refreshing take on the classic song that updates his eccentric brand of pop with gleeful yearning. -Louis Pelingen

ALBUM REVIEW: KINDRED – subset

Written by Louis Pelingen Amidst the up-and-coming music collectives putting their marks this year with exciting sonic palettes on their sleeves, KINDRED stands alongside them with the utmost glee. The eight-member boyband that, based on their singles, music videos, and live performances alone, the remarkable quality shines through immediately with how much they work together as a group, able to plug into a focused and genuinely exciting alternative sonic palette despite each member’s own brand of creative flair and perspective. It’s a tangible connection that eventually manifests through ‘Subset’, their debut mixtape being worked on in the oven for around 3 years. ‘Subset’ is a fitting title for the stacked tracklist on display, a mixtape that showcases a glorious array of OPM and Boyband material meshed in with UK Garage, Breakbeat, Alternative R&B, and so much more. Within the 15-track hour-long length of the mixtape, KINDRED’s ability to create joyous eccentricities is surprisingly consistent all throughout, allowing their experiments and flashy energy to easily let the melodies snap brightly, highlighting the boyband’s strength to focus as a unit even more. Just like the singles leading up to this project, the deep cuts are just as colorful and robust. The jersey club bounce of ‘KZONE’, the drum and bass beat leading into that stomping bass rumble on ‘Losing U’, the atmospheric bass knocks of ‘Afterglow’, and the one-two punch of ‘L Punch’ and ‘R Punch’ where the former’s electrifying guitar passages transitions to the latter’s calmer yet nevertheless sticky melodic flows are continuous instances of that creative flair popping away into exciting territory. The word ‘connections’ is something the boyband emphasized deeply in this project, not just on the romantic relationships that are filled with tender passion and sincere yearning, but also on the inspirations that led them to where they are right now and the bonds that they’ve made and cherished within their own group. ‘Megastar – Interlude’ is one of the two touching examples of this, where Sharon Cuneta questions her stardom that will inevitably fade as she observes her friends getting weary. Yet, she knows that the younger generation like KINDRED will play those old tunes, a message that’s executed dearly with KINDRED harmonizing beautifully with Sharon at the end. ‘Ligaw’ is the other example that speaks of the boyband’s sparkling synergy. Harking to the retro boyband sound where their vocal harmonies harness a sense of grace to that era, a dedication to that past as KINDRED glides towards the future with their bonds, their inspirations, and their relationships moving them further into something worth clinging on. With the dynamic swerves on display, KINDRED within their creative stronghold not only redefines the concept of a boyband where their bonds allow them to create such magnificent tunes all on their own control but perhaps even open up a new arc for what OPM can head into; infusion of genres that makes for a rejuvenating experience for both the artist and the audience. With the rise of interest towards certain dance-focused electronic genres in the local scene, ‘Subset’ does feel like a celebration of past influences mixed in with contemporary sonic landscapes that brim with a prismatic quality. Perhaps prismatic is the best word to describe the project, with each member’s bright light collectively scattering through different directions, they become varied colors that spark individually yet gleam together as one. Support the art & the artist: 

TRACK REVIEW: kyleaux & k1ko – Gusto Kita 

Written by Elijah P. Philippine 2-step might be a pipe dream for neophytes who are born past the 2000s. But for others who’ve seen r&b delve in the corners of UK-influenced electronic music, “Gusto Kita” by 25 Hearts’ very own kyleaux & k1ko is a blessing for everyone born and adopted in the garridge and jersey hype. After inevitably yet unexpectedly earning the virality in the former’s TikTok account, the richly-textured, glitchy and suave paves the way for possible pop music writing in today’s standards.  Rapper kyleaux was able to let go of typical rap structures, instantly hopping on the melodic side of writing. And with the assistance of pitch-shifting, beat switching and atmospheric production of k1ko, the duo is untouchable with this single on lock in one hundred percent accuracy. “Gusto Kita” isn’t too late in the hype with the charming vocal delivery, chameleonic production, and the visual appeal of a bubblegum pop superstar duo.   SUPPORT THE ART & THE ARTIST:

TRACK REVIEW: Showtime Official Club – 🎀 𝒮𝐻🍩𝒲𝒯𝐼𝑀𝐸 💮𝐹𝐹𝐼𝒞𝐼𝒜𝐿 𝒞𝐿𝒰𝐵 𝑀𝐼𝒳 ᑭᗩᒪIGOY-ᒪIGOY ᖇEᗰI᙭ TIK TOK VIRAL 2023 !! 💕😊

Written by Louis Pelingen In the Philippines, noontime variety shows capture the attention of the general public. For the past few decades, every household looks forward to shows like Eat Bulaga and It’s Showtime for a few hours of joy. These shows have become mainstays in our entertainment consumption, observing different segments featuring games, contests, and acts of kindness that are all too familiar but at the same somehow different from the last. It’s like pulling something out of a box filled with chocolates, not knowing what we will get. With It’s Showtime still going strong for 13 years, no wonder that the fond memories of its past stand strong up to this day. Showtime Official Club, a collective comprised of 6 DJs (DJ MharkTzyOnTheBeatTV, DJ vicegandako143, DJ NASH_AGUAS, DJ fHunny_One1, DJ PusongBato04, and DJ XanderCoins) embraces those memories through their various club dance mixes that have surfaced since last year. It’s a way to not just bond over the moments but also appreciate how much they mean to them, the local communities that they’re a part of, and the dance music that brings life to each worthwhile occasion. This “Paligoy-ligoy” remix is not just a mini-mix between 4 of the DJs or a nice entryway for anyone who’s new to this collective, but it’s also a love letter where each DJ write their musical paragraph on Nadine Lustre’s “Paligoy-ligoy” that serves as the paper for their clingy, impassioned sides. DJ PusongBato04 opens this mini-mix with a shy demeanor, inputting frantic guitar samples that swivel around the pulsing club beat. He musters his courage after that drum break with the pounding beats all the way through, presenting that courage fully exposed for everyone to hear. DJ vicegandako143 follows suit with a subtler grasp of the tones, adding glacial synth pads sparkling around the beat. He prioritizes those subtle details as a build-up for the beat to spark bright like fireworks. DJ NASH_AGUAS keeps his part short yet concise, effectively going all out with explosive drum n bass rhythms. It never slows down as he embraces that confident passion under the 40-second duration of his composition. Then DJ MharkTzyOnTheBeatTV ground things down as he concludes the mini-mix, harking it back to the budots sound with the squawking rhythm and the maximalist synth touches. It emphasizes the love of the things we adored from the past that will be given to someone else, a continuous exchange that will become timeless. This Paligoy-Ligoy remix from Showtime Official Club continues their path of appreciating golden memories that these DJs find clear and enamored in stasis. Accompanying it with a cohesive mini-mix that nevertheless reveals how the 4 DJs involved in the remix compose their paragraphs with their own colorful approach while still allowing that bouncy budots rhythm to thump its heart out. After all, to appreciate something means clinging to that love that you have, never letting go no matter what. Support the art & the artist: 

TRACK REVIEW: Pikunin – ★·.·´¯`·.·★ Tadhana ★·.·´¯`·.·★

Written by Louis Pelingen  Scrolling through Soundcloud, Youtube, and Bandcamp to discover a song that interpolates or adds a twist on a sample underneath always gives you a different kind of feeling. Sometimes it will leave you bewildered that it ends up clicking (or not), sometimes overjoyed with a hint of nostalgia, or sometimes spiraling down to a screech, wondering how adding just the quaintest of beats and vocal takes can bring you to a certain kind of special tug. Pikunin, formerly known as AHJU$$I, flips up Tadhana by Up Dharma Down and puts his own spice into it. A hint of nostalgia slid in – now glazed, full of twinkling sparkles, and a low-key charm – pitching up Tadhana and chopping it down to the chorus and to the signature cooing of Armi Millare as a starter, tugged along with Pikunin’s softer vocal takes (“Please pick up your phone and don’t leave me alone / Cause I can’t be by myself, I don’t want somebody else”). All along while Pikunin drums up a jersey club-style beat with that signature squeak sound that blends well with the rest of the song, and makes the song twinkle more brightly than before. It’s a song that brings up nostalgia, carving up a spin that makes it refreshing, and allows everyone to appreciate the source material even more. Tadhana is already a heartfelt song for anyone reeling from their 2010s nostalgia, and now Pikunin’s quaint yet charming flip of the song does not take away the pathos of the song but rather adds a different kind of tug.