TFL’s THE 23 FILIPINO TRACKS OF 2023

Every year, something monumental happens in the music scene, whether it would be an army of alt-kids taking over a mall show, a rapper taking over the country by storm on Tiktok or a DIY venue at the verge of crumbling after two shoegaze bands. Genres have multiplied into bubbles, ecosystems emerge as newer venues from the highways of Cavite to the driveway of a basement at a Chinese restaurant. There’s a steady scene rising, amplifying louder one year after the other: 2023 is a year where those highlights have made made an impact beyond NCR. From Luzon, Visayas to Mindanao, we present to you a yearly tradition that the editorial team would always prepare themselves for; Not just because it’s the task that’s daunting, but it’s the journey and the result of 11 months of scouring the internet and gigs for the best of Filipino music. Here it is, The 23 Filipino Tracks of 2023. 23. P4BL0 – baka magalit mf mo In the “18 Commandments of the Boybestfriend”, there’s unnecessary fluff written along those ridiculous rules. However, P4bl0’s “baka magalit boyfriend mo” has this lasting effect delivered by its cloud-9 like production, ultimately writing one of the best pop hooks in the game now. It hasn’t been written on the scribes nor the tablets that South Metro Manila regular P4Bl0 made a banger track tailor made for the rebounds. Whether it’s the wacky gimmick of BBF/GBFs or the semi-ironic execution, P4bl0 has proven and tested that the undying concept of love and yearning can be done in a dreamy cloud-rap fashion. -Elijah P. 22. O Side Mafia – My Thang It’s been an endless streak of hit singles for O $ide Mafia despite the lackluster collaborations and disputes between territorial beef and fan leaks; “My Thang” is a victorious reaction to all of the success outweighing all of the group’s cons in the game. The simple old-school 2000s G-Funk influenced synths, the satisfying braggadacio three-verse combo and the killer hook is an all-time career highlight for the group and they just stay winning while all the haters watch. -Elijah P. KRNA expand on their infectious sound by expanding their soundscapes to include reverse guitar samples while pairing back on KCs vocal strength. The single shows the band’s mastery of making heartwarming music and a story of yearning that feels like a warm embrace being whispered while in a slumber. -Janlor Encarnacion Armi Millare announced her return to the music scene with a dissonant pop single – taking the time to show her own prowess in music creation with a tune leaning towards more pop and r&b. Roots signals the metamorphosis and re-emergence of OPMs signature voices and we can’t wait for more. -Janlor Encarnacion ‘Sonic Tonic’ is the long-anticipated debut that charges Suyen’s magnetic presence amidst the fray of fringed pop rock, a bottle of riot grrl and grunge blends where Suyen just sounds high-spirited in her craving for that adrenaline rush. Sam Marquez’s production is impeccable in bringing the heatwave atmosphere to ‘Sonic Tonic’, where the already remarkable chugging riffs and splashy drum work are vibrant and immense. Enough to keep everyone cheering along the soaring hook, ‘Sonic Tonic’ is a striking first cut from Suyen who is never afraid to jump first into action, letting her do anything to reach a gratifying emotion that will keep her feel alive. -Louis Pelingen ‘SOUFSIDE’ is a meteoric statement from the Cebu Hip-Hop collective ASIDE BOONDOCKS as they erupted through the scene with their tastes for boom bap and hardcore hip-hop. Flagrant in their hyperbolic expressiveness, that ecstatic flair allows each of their distinct flows to tumble through the stirring hypnotic beat that has a quirk of its own due to its swaggering bass lines and buzzy synth waves. ‘SOUFSIDE’ stamps a mark that will break further ground for the Odd Future-inspired Hardcore Hip-Hop ASIDE BOONDOCKS are leaning towards, where they’ll spark an explosion that you can’t help but feel its heat. -Louis Pelingen With Waiian’s recent return for his sophomore album, ‘SMILE’ is a track that has a familiar thematic trudge from this rapper who has a lot more to observe past his 2020 debut. In this pensive reflection on the mortality and bullshit of life, Waiian invites Yorko and U-Pistol to pen down their emotions on the table amidst a relaxed boom-bap beat and calming piano lines. As a result of that writing session, ‘SMILE’ ended up being Waiian’s best song to date where the melodies are tight and catchy on all quarters from Waiian and Co. No wonder that ‘SMILE’ is one of the lead singles for Waiian’s recent project for a reason, as it’s a respite that brings a gentle smile on constant repeat. -Louis Pelingen 16. PETTE SHABU – Bulbulin Ka Na As PETTE SHABU goes deeper into her experimental rap tapestry with every track she puts out, her transgressive lyricism and ferocious flows become more sharper. That in itself eventually led her to release dozens of challenging sonic bangers in 2023, with ‘Bulbulin Ka Na’ bringing the most sting out of her thus far. Through every whirling wordplay PETTE SHABU spits out, her flow turns impenetrable as PETTE SHABU confidently carries herself within horseboyy’s dense glitchy beat. ‘Bulbulin ka na’ is a bulldozer that keeps PETTE SHABU in control of her agency, lashing down everyone who comes for her without shame. -Louis Pelingen The dizzying hyper-pop artist known as AHJU$$I may have retired from that moniker, but his rebirth as Pikunin has those old bits and pieces intact, now ribboned with UK Garage rhythms and ticklish vocal flair. These characteristics manifest through Pikunin’s debut track, ‘Tadhana’, using Armi Mallare’s cooing vocals as the Jersey club beat tiptoes around it which also serves to be a bouncy springboard for Pikunin’s chirpy vocals and twee lyricism. Starry-eyed in nostalgia with a modern touch, Pikunin spins a refreshing take on the classic song that updates his eccentric brand of pop with gleeful yearning. -Louis Pelingen

TRACK REVIEW: Pikunin – ★·.·´¯`·.·★ Tadhana ★·.·´¯`·.·★

Written by Louis Pelingen  Scrolling through Soundcloud, Youtube, and Bandcamp to discover a song that interpolates or adds a twist on a sample underneath always gives you a different kind of feeling. Sometimes it will leave you bewildered that it ends up clicking (or not), sometimes overjoyed with a hint of nostalgia, or sometimes spiraling down to a screech, wondering how adding just the quaintest of beats and vocal takes can bring you to a certain kind of special tug. Pikunin, formerly known as AHJU$$I, flips up Tadhana by Up Dharma Down and puts his own spice into it. A hint of nostalgia slid in – now glazed, full of twinkling sparkles, and a low-key charm – pitching up Tadhana and chopping it down to the chorus and to the signature cooing of Armi Millare as a starter, tugged along with Pikunin’s softer vocal takes (“Please pick up your phone and don’t leave me alone / Cause I can’t be by myself, I don’t want somebody else”). All along while Pikunin drums up a jersey club-style beat with that signature squeak sound that blends well with the rest of the song, and makes the song twinkle more brightly than before. It’s a song that brings up nostalgia, carving up a spin that makes it refreshing, and allows everyone to appreciate the source material even more. Tadhana is already a heartfelt song for anyone reeling from their 2010s nostalgia, and now Pikunin’s quaint yet charming flip of the song does not take away the pathos of the song but rather adds a different kind of tug.

TRACK REVIEW: Armi Millare/Munro – Take Me

Written by Louis Pelingen Traces of what may happen to UDD and Armi Millare in the future are set in stone. Stepping away from the band felt like a timely decision to make for Armi – one that has lingered over her as reflections poured her during the still times of the pandemic. Her interview with NME a few months after announcing her separation from the band explains why. Doing too many tours over the past 17 years took a toll on her health as well as personal, sometimes existential details that intensified her worries about herself as she matured as a person and as an artist over the years. Those factors resulted in her not just departing from the band, but also the fact that her love for music has lost its luster over the years where she has to take the time to pick the sound and direction that she wants to indulge in. In that context, Armi Millare dusts off an old project of hers and takes that helm once again in this new song. For those that didn’t know, Munro was a self-produced project that she and other artists have made in 2009, a project that showcased a side of Armi that she describes as “a life imitating art, stuck in reality” where the songs she and her team of artists make are songs that don’t fit into conventionality. It was put off in 2013 but has now returned for this year, where Armi steps upon creative grounds to explore. A song filled with yearning for love and connection, Armi’s new song right here brings a spare and burning baroque cut that’s slow but also confronting. It takes some cues from Florence + The Machine with the bare atmosphere startled by Armi’s vocal harmonies whirling through the quiet mix as her voice allows the emotions to sink in. It’s a voice that’s burning with passion but also carries a delicate grace that Armi just pulls through, where the slight finger snaps and vocal harmonies in the first half put her presence in the very core of the song. Then the baroque elements come in past the two-minute mark. The rumbling drum and bass guitar, the quaint piano touches, and the calming koto instrument have enough space and texture in the mix. Despite the breadth of sound that Armi is pulling off here, there’s a negative space in the mix that could’ve been filled just a little more. Personally, there could’ve been hints of piano or koto playing subtly in the background around the second verse that would benefit the flow of the song better. Additionally, the vocal harmonies could’ve stacked up a little more in the chorus sections especially the chorus segment at the end of the song which just ends abruptly, not allowing the song’s emotive beauty to linger effectively. A veteran in the local music scene that still has a lot of ground left to explore, Armi Millare’s sonic detour on this song is a promising era for her. Donning the Munro project once more, ‘Take Me’ may be a familiar song to some that have already heard this performed back then, yet Armi refurbishes it with a sonic sheen that’s different but also exciting. Despite having a bit too much empty space in the mix, Armi Millare’s presence as a vocalist, producer, and composer has enough punch to bring the direct, romantic yearnings to echo through. SUPPORT THE ART & THE ARTIST: