Written by Francine Sundiang Yaelokre understands that sounds alone can evoke fantasy worlds. Arguably the most exciting artist to come out of the Philippines as of late, Keath Osk’s musical storytelling project has rejected the overtly autobiographical tendencies of many songwriters, while still managing to be deeply personal through and through. If their first EP, ‘Hayfields,’ was an introduction to the world of Meadowlark, ‘Origins’ acts as an expansion of their worldbuilding. The first track “My farewells to the fields” starts with isolated strums of their guitalele, you are instantly taken somewhere else, to a scene in a land of fantasy, to a storyteller gathering listeners around in a circle, sharing a tale in hushed whispers that eventually turn into cries of triumph, a tale of leaving an old home and finding sanctuary in a found family. The track’s thematic richness manages to cut through to even the most casual listener. “Bird cage blue and yellow” is a track that exudes character, both that of the in-universe storyteller and that of Osk’s. “I can be different, I can’t be puppeted!” they both proclaim in a dramatic declaration of independence and self-determination in the face of the overwhelming pressure to conform. The artist’s heritage is on full display here as Osk softly sings in Icelandic and repeats lines in Filipino, a combination that wonderfully contrasts with each other while still being in harmony. While “To douse a scalded tongue” seems to promise to be a more mellow track compared to the previous two, that assumption is quickly proven wrong with an abrupt lofi vocal more akin to a condemnation than a song. It’s a call to action, inviting the listener to get up and refuse to stay silent. From here, it’s clear that Osk intends to keep the intensity up throughout the EP, never giving the listener a break from their theatrics and dramatic flair. The EP closes with “Kamahalan,” unique in all of the Yaelokre discography by being fully in Filipino. It is every bit as intense as all the other songs in the tracklist, but it achieves this through pounding percussion and a bassline that adds a subtle yet significant groove. While there is no lull in energy, it still manages to be a satisfying ending, and before you know it, the scene of masked storytellers in your head fades away as you’re taken back to reality. ‘Origins’ is a reinforcement of what the Yaelokre project stands for, which is fitting for an EP that explains the backstories of the four main characters. It is a desperate plea to you, the listener, to listen to your inner child, to unapologetically be your authentic self, no matter how much you are pressured not to. It’s just up to you if you have the courage to heed that call, a call made clearer in one of Yaelokre’s most compelling set of stories yet. SUPPORT THE ART AND THE ARTIST:
Tag: Francine Sundiang
TRACK REVIEW: Jopper Ril – Won’t Wait
Written by Francine Sundiang The best music often has a transportative quality to it, able to bring you to moments in the past you may not have even been a part of. With Jopper Ril’s “Won’t Wait,” the listener is taken to distant memories of late karaoke nights and the height of R&B, disco, and Manila Sound in the ‘70s. It’s a track that proudly wears its influences on its sleeve, but with enough attention given to songwriting and vocal performance to really make it stand out. Everything starts slowly, with melodic piano and subtle guitar chords gradually building up in intensity before reaching a falsetto vocal and a classic pentatonic guitar solo. This change in trajectory keeps your attention and prevents the track from becoming stagnant, all while Jopper Ril manages to exude a sense of charisma and stage presence purely through audio. These elements brought together create a track that would have been an instant classic had it been released at the same time as its influences. There’s nothing exactly new here, but there doesn’t need to be. After all, there’s no greater tribute to your influences than to show how their classic sounds still have a place in the present. Jopper Ril does exactly that; “Won’t Wait” is a homage to the greats, a time capsule to the height of a genre. SUPPORT THE ART AND THE ARTIST: