As the year 2025 is soon closing its doors, there’s excitement in looking back on the songs that ripple across the scenes. For instance , Zaniel’s C2 NA RED! And Nateman & Lucky’s IMMA FLIRT has been in big rotation in the hip-hop scene, showcasing what it means to truly craft captivating earworms in the pop context. It’s a characteristic that also applies to Fitterkarma’s Pag-Ibig ay Kanibalismo II, their biggest breakthrough song that smashed through the mainstream rock scenes. Fitting themselves alongside known acts such as Zack Tabudlo and Janine Berdin, who happen to come from the big leagues, take on unexpected curveball releases. Speaking of breakthroughs, the rising presence of girl groups KAIA and VVINK displays an exciting turn in the realms of P-pop, adding distinct palettes that are worth looking towards in the future. Of course, it’s not like the alternative and underground — local and otherwise — continues to flourish in its own way. Metro Manila is very much full of them, circulating noise from hip-hop collectives, pop punk bands, and disco acts. In Davao City, you hear Tuesday Trinkets and adult sunday school put their energy and warmth into the flourishing pop rock and screamo scenes they’re building towards. Internationally, you hear ZayALLCAPS and Underscores continue score welcome acclaim within international music publications. This list encapsulates the songs that we heard from the entirety of 2025. A celebration of what caught our attention, and hopefully, you get a chance to hear these songs as well. — Louis Pelingen 30. Janine Berdin – antoxic Stepping away from the balladeer biritera image that she initially cultivated with the rest of her peers, Janine Berdin decides to take inspiration from the experts near the tail end of the 20th century for “ANTOXIC.” It’s a well-studied replica of 2000s alternative rock that dares to step foot behind the line of nu-metal. With roaring vocals like Evanescence’s Amy Lee, a hazy, hypnotized wall of sound that borders on shoegaze territory, it’s evident that Berdin and her team did their homework. The firm lyrics that demand ownership are so self-assured in her toxicness, you can’t help but wonder if it’s camp or sheer commitment to the bit. Berdin’s rebrand is an enticing introduction to a whole other side of her personality and a step in a new direction. — Noelle Alarcon 29. Shanni – Sikretong Tayo Lang May Alam A hymn for the repression of queer love that must stay secret now feels like a 2000s soft-rock ballad in Shanni’s “Sikretong Tayo Lang May Alam.” Her voice acts as a cushion, almost like a firm embrace for queer couples to make the secrecy feel bearable amidst the society’s constant brouhaha, on gender, sex, and rights to love. And while the guitar strums are gentle, they still try to overwhelm the hurt that queer lovers know all too well. The chorus asks plainly, “Ilan pa ba ang kinakailangang patunayan?” — A line that twists the knife even more for those who’ve learned to overperform and dilute themselves, then go on days longing for the moment to finally and unapologetically take up space and be seen. — Jax Figarola 28. Parti. – Breach A messenger passes through the neurons wired inside the sponge, dictating your life from inside your head. Not a second passes and its time is up, and another takes its place, each one pulling the strings that bring purpose to your flesh and bone, that help you recognize your heart and what keeps it going. It goes on and on and on, and so it goes on and on in the person you keep perfect time with. But the further away you are, the slower the messengers seem, so you move closer and closer, and so do they, making sense of the motions of two minds. Two souls. Two scholars hungry for knowledge of the lights flashing through the skulls. A head-on collision. Candles melting into one another. A necessary breach. — Gabriel Bagahansol 27. VVINK and DJ Love – Baduy There came a time when budots, as a music genre, sparked discussions on its place in the music charts. Two years ago, months after DJ Love took the stage of Manila Community Radio’s Boiler Room set, there was a noticeable shift in seeing budots as something outside of its original context. “Baduy” comes both as a sign and as a result of this growth – a pop record enveloped in budots’ organic stylistic leanings. Genre pioneer DJ Love comes in as a collaborator, prominently featured in the music video. Its trademark “tiwtiw” sound and accompanying dance, both distinct, become enmeshed into the pop record without any sense of its novelty wearing off. VVINK, a five-piece pop group under FlipMusic, shouts, “Ipagkalat na ang tunog na ito/ Na talagang sa atin lang.” “Baduy” becomes a clarion call turned into song. If only the record label didn’t try to play it safe and ask, “What if we add Pio Balbuena into the mix?” At least that’s what I could have guessed. — Lex Celera 26. Jopper Ril – Won’t Wait With “Won’t Wait,” Jopper Ril resurrects the glittering glam pop-rock energy of 80s OPM, echoing the style of a young Gary Valenciano. It’s dated in all the right ways: glittery synth, romantic jazz grandiosities, and arrangements built for slow, swirling dances under mirrorball light. Jopper Ril’s silky vocals move like vintage velvet, the same velvet seen on red curtains at a theatre. The bridge delivers a sensual crescendo that crystallizes the songwriter’s take on real love. The maturity of realising you weren’t good for someone, paired with the ache of not exploring what could’ve been. In this age of passive yearning, “Won’t Wait” breaks limerence by leaning forward, unafraid to be confrontational. Its grooves slow dance flawlessly, while the lyrics linger like the aftertaste of morning coffee, insisting you sit with the flavor. — Faye Allego 25. Jiji – Paborito Jiji sings enthusiastically about having a “paborito” among a roster