Tag: Indie

  • TRACK REVIEW: Asher – Pollen

    TRACK REVIEW: Asher – Pollen

    Written by Julia Harumi Kudo

    “Pollen,” composed by Asher, Areli, and Juicingjuicy, is a rumination on a song in which they refuse a memory to be simply remembered. Thus, they go and breathe it all over again, even when it stings. The song turns with the slow, circular logic that endings and beginnings are trick mirrors than stages of the same cycle, and where longing for someone, like pollen, is both natural and difficult to resist. Realized on a skeletal chill-hop rhythm and clad with the flexibilities of Neo-Soul, the trio somberly revels inside the Petri dish of modern R&B, with Asher and Areli’s production leaning towards texture rather than structure. With organic patience, the guitar arrives almost unbeknownst, while the synths forage underneath with velvet layers perpetually glued to the mix. And yet, for all its fawning, there’s something vaguely obscured here. The vocals are often fractionally veiled; phrases fade into texture, and you notice yourself feeling the words first before even fully understanding them. It’s a little frustrating to be able to catch the fragments of the yearning spiel enough to know there’s an intention, but not enough to withhold it fully. But when the song chooses to reveal itself—“I need, I need you so”—it does so with a startling clarity that it almost feels sacramental as if that line alone is intentionally meant to survive the haze and the rest belongs to someone else. 

    Drawing from the title alone, “Pollen” alludes to a collapse—fallen, yes, but also feathered, dispersed, made airborne. The word blushes a little and hides inside itself: to fall in love again, to have already fallen apart, and to still be suspended somewhere in between. And just like pollen, the pining in the song acts like a natural phenomenon. Our body resists even as it needs, pure animal instinct. Areli gets back to this contradiction without resolving it: desire shaking hands with dependency, tenderness going up against doom. “I don’t trust the time when you’re not around / I’m fallin’ apart again.” It sounds simple and almost childlike, but such straightforwardness is what allows us to let our human sensibilities feel, and that’s the closest we can get to being nearly transformed. We’d be neither healed nor broken, but airborne.


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  • TRACK REVIEW: Franz Guico – di ko aaminin

    TRACK REVIEW: Franz Guico – di ko aaminin

    Written by Rory Marshall

    Cagayan De Oro’s very own Franz Guico switches things up in his newest release, “di ko aaminin.” The folk singer-songwriter has taken a nudge in a different direction with his first single of 2025. Franz Guico has built up a reputation for soft, heartfelt acoustic tracks – reminiscent of haranas and sweet ballads, but with “di ko aaminin,” he casts his music in another light with a Math Rock twang.

    Nothing is lost with the new sound. Everything that made his music work before is present in the track, just with a new coat of paint. With his honeyed lyrics and melodies that seem to take residence in your ear long after the song ends, now accompanied with a shifting time signature and twinkly, complex guitar riffs, this feels more like an evolution rather than a switch-up.

    He’s no stranger to intricacies in his guitar playing, as seen in his previous folk tracks like “at nagkagulo”, but in this new single, the translation is seamless. All that’s different is the switch from soft acoustic to crunchy electric guitars. That, paired with crashy drums and a harmonic breakdown to close out the song, by the end of it, you’re left wondering how well his two styles complement each other.

    Is it a step in the right direction? Yes. His discography has a lot of heart, with tracks like “dahan dahan ka nang nawawala” and “ikaw na ang buhay ko” deserving more recognition than they have, but it wouldn’t be a far cry to label his discography a drop in the bucket of singer-songwriter OPM. Experimentation is healthy, and shaking things up is a natural part in the artistic process. It doesn’t always result in a success or a path the artist wants to pursue, but for the case of Franz Guico and “di ko aaminin”, this is an avenue worth exploring.


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