Written by JK Caray
If you were also a hip local music listener back in the 2010s, you understand how crucial music websites like Bandcamp and SoundCloud were in experiencing the height of that underground, lofi scene brewing inside people’s own houses. While home recordings have always been a thing, the format of these sites provided the internet a front-row seat to the unfiltered, underproduced music some passionate strangers online made in their free time. Among these lie hits and misses but in 2016, Roshelle Munez released her first release “gitling,” which became an instant hit on SoundCloud.
Following the virality of “gitling,” Manila-based Alt-Pop artist Munez, aka rosh, became an indie darling overnight—however, it would not be until 8 years later that she released her debut EP entitled “cotton mouth.” Serving as her serious venture into the music scene, the release—a long-awaited debut effort consisting of her unseen works from 2016-2022—allows us to take a peek into her diary as an extension of her psyche.
“gitling – 2024” reinvents the original with more polished production and a clearer sound direction that fits right in with the rest of the EP. The addition of groovy drums and harmonies gives it a more laid back and playful vibe, as if having given it space and time to breathe. In stark contrast to this, “human goo” introduces that wall of angst that lingers throughout the entire record. It picks up the pace with driven drums, rosh’s fatigue embodied in her vocals buried beneath eclectic bass synths and the harmonic dissonance of guitars.
“rainbow road” steps back from the heavy noise, favoring to experiment with lush, dreampop-like sensibilities. The lyrics echoing her heartbreak are cryptic yet very familiar, something everyone has felt but nobody could pinpoint. Lastly, “nevermind” closes the EP at the zenith of its turmoil. The instrumentals weep with a sense of deep longing and yearning; she’s begged and begged, but somehow it’ll never be reciprocated. Errors decorate the track alongside distorted guitars, creating the perfect backdrop for the emotional breakdown that follows. rosh ends the EP with a “never mind,” too tired to care anymore.
In cotton mouth, each song is a confession; all the anguish and hurt hidden finally surfacing after years of being bottled up. Maybe that’s why despite its heavy, angsty nature, cotton mouth feels freeing. It’s the words you couldn’t say and the stories you try to forget after years of running away. Ultimately, rosh’s first foray displays a remarkably promising future for Manila’s star-sign-loving, alt-pop rockstar.
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